G A L L E R Y
A R C T U R U S
When we made copies of the Sickert painting our copier went crazy on the colour and produced this one you see here.
We immediately engaged in correcting the imperfections on the printer but after strongly rejecting this copy I ended up
being inspired to base my collage on this depiction. The collage above while looking significantly different was an attempt
to interpret Walter Sickert's painting. This exercise is always such a learning in how and what we observe.
I can now understand why Picass'o did 58 variations on this painting 'Las Meninas' I feel that I am also obsessed, trying to sense the relationships of light and dark which give shape and depth to this space. With every collage something is discovered and something is left out. Doing it from memory and sensation is so much more interesting than trying to be guided by
refering to the print. The panel of Sae's collage with dog connects in an uncanny way to my collage on the right. It is as if
he walked across to the other side of the room from where he was first depicted. Being witness to Sae's interpretation of
the same painting is so exciting. It seems we consistently have an opposite focus. We hope that you can observe something
of our process from looking at this series of collages.
After a rather long hibernation the light has entered in to the cave calling to come out and engage in the world
Wishing all of you a very merry Christmas and a peaceful entry into the New Year.
The gallery will be closed as of tomorrow the 20th til the 6th of January 2026!
Sae is visiting Japan and deborah is staying in TO. We will put up blogs intermittently till we return in full in the new year.
Be well and thank you for you staying in tune with us.
The Call of the Reed
Sculpture by Billy Gerard Odwori
A week or two ago, maybe three already, Billy an artist recently come from Uganda, visited the gallery, not for the first time.
After talking with Ed and I at the front desk he pulled this sculpture out of his bag to show us.
It was and is staggering that he could make something this dynamic, balanced, proportioned,
and so small (it is about a foot in height) out of paper mache. I asked him if I could purchase
it from him and he was excited to sell it. I placed it immediately in the East Genesis Gallery
which has a working theme of 'a m a t t e r o f s p i r i t' . This sculpture embodies both.