Sae and I made these two collages simultaneously, sitting across from each other.
While we always do everything exactly opposite there is also always a connecting feeling.
In the blue collage the figure or being is looking directly at you the viewer, there is a relationship
between you and the creature. In the cactus collage the two figures are looking at each other,
we are witness to them and we can see that the feeling is gentle and direct. The expression of
the figures of both collages have a very similar quality.
It seems that it is easy to see the obvious differences in the works, the colour pallet, the subject,
the composition, all conspire to convince us of their incompatibility. It is fun to contemplate the
pieces to find what is shared, hence the title 'The looking between One and the Other' .
The good wishes and blessings of all those who care for us,
and who travel with us in their hearts.
Collage by Eron Boyd
from the etching 'The Circus' by Picasso
It is extraordinary to be reminded that even as we sit next to each other,
at the same table just inches apart,
even as we look out of the same window
what we see through that window is not the same.
It is easy to imagine that what we experience with those close to us
in what seems to be a shared circumstance must be the same
but each of us has a very unique perception which informs our knowing.
It is always a challenge to express that perception to another.
Milo Saly is a photographer and a frequent visitor to the gallery.
When I first saw his work these stood out to me as extraordinary
in their composition, depth and surprise of colour. What makes
great photography is the ability to frame what you see in a
way that allows the viewer to share in the experience.
Paintings by Rachel Berman 1946-2014
Rachel Berman's work is represented by the Ingram Gallery, Yorkville, Toronto
and can also be viewed online.
Bronze sculpture of Frederick Banting and Charles Best in front of the MaRS building
where they did much of their work on the discovery of insulin ninety years ago.
This must be a fairly new acquisition because I have not been able to find out
who the artist is and when it was installed but I will keep looking.
Today we had a visitor, Jill Lawrence, come to work with us. We shared images, copies of four paintings and each of us chose, unbeknownst to the others, to use this sitting character in our collages. Placing him up a tree, in the clouds, on a wall, in a room.
You met this character in yesterday's blog 'The Bathers' by
Seurat. Starting with the same resource is a great way to appreciate the unique imagination of each person.
Today was a good day.
Collage by Sae Kimura
A day of seemingly unrelated elements, moments,
translated into black and white,
a quieter version of chaos,
letting the differences slide, one into the other,
dots and dogs a typo
mistake or nothing in common
steeples rise and clouds float, faster in the wind
an expression of inward and outward contemplation,
embodied quizzically
in the holding of blue chair.
Please, take a seat.
It takes time for a tree to bear fruit
and what is time?
seasons and weather
snow melting to roots drinking deeply
years of many days
small branches growing thicker almost imperceptible
leaves unfurling and blossoms few enough to count
each one a possibility
sapling to tree
colt to horse
puppy to dog
one moment you notice it has happened
something becomes what it was meant to be
maturity
the readiness to bear fruit.
Collage by Eron Boyd
Collage by Eron Boyd
A show happens in a gallery and a gallery takes daily care and management.
The behind the scenes actors are essential.
When a show is in process everyone does extra time.
We are such a good team at the gallery that it is easy to take it for granted just how smoothly we all step up
but this is why the atmosphere of the gallery can be so enjoyed by visitors.
Sincere thanks to Eron Boyd, Mark Tai, Ed Drass and Cathy Stilo.
It would take many words to describe all that you do.
Building a show;- ideas born in another time and place enter into the now.
The space of the gallery has its own nature and proportions and ideas must reshape to accommodate factual reality. This is not a concession but an opportunity for something unexpected to be revealed. We created a form to support an idea and that form took up occupation in the space in a way that could not have been imagined before. If we become rigidly tied to our ideas we can not recognize these gifts and will miss the possibility to grow creatively.
After all is not creativity the ability to continually improvise with our surroundings and circumstances?
This show is a collaboration between the works of Gustavo Jabbaz and Joachim Oepkes photographers, Lysias Harris builder designer, Manny Parmar print installer, Sae Kimura mixed media artist and assistant to every possible task invented by deborah harris, her impulsive and erratic cohort and curator.
Collage by Eron Boyd
Yesterday Sae and I (deborah) took on the challenge to interpret the Gauguin painting in collage. We sat at the same table but did not see each others work til we were finished.
Surprisingly each of us had focused on
opposite aspects of the painting, background and foreground. We were curious to see how they merged. The results are shared here.
This is our latest video from the online collage workshop...#17. Enjoy!
Collage by deborah harris
Collage by Eron Boyd