In Illo Tempore by Ana Maria Pacheco
Leaving Japan 6:30pm Thursday and arriving Toronto 4:30pm Thursday!!!
Collage by deborah harris
We realize that many or most of our blogs are somewhat mysterious in their meaning. We hope that this allows you the viewer to imbue it with your own interpretation. This particular image represents Sae's immanent departure for a one month visit to her home in Japan. We will continue to
work together on the blog and Sae will sometimes send photos from Japan that we can share here.
"Itterasshai Sae."
When we put up a group of collages, all done together on the same day, we look to see what the
common denominator is. It is not usually apparent in the first quick view but as we sit with
the images we find something that is true. In these works we began by observing Eron's collage
(the one in the middle). It appeared obvious that the characters were floating. That fact helped us to look at both Sae's and mine (deborah's) to see if that applied and it did. The first collage on the left has no reference to ground and seems to be floating in the larger white space. Sae's (on the far left) has a shadow beneath the bowl like form but that could easily be floating upon water.
Perhaps, the title 'Floating' invites us to see each piece differently.
These drawings are by the late Daniel Hanequand and were donated to the gallery by his wife, who has also passed. They seem to have a natural affinity for this piece by Floyd Kuptana. It is always exciting to introduce different artists through their work, each one making something in the other more visible.
The Guest House
This being human is a guest house.
Every morning a new arrival.
A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.
Welcome and entertain them all!
Even if they’re a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still, treat each guest honorably.
He may be clearing you out
for some new delight.
The dark thought, the shame, the malice,
meet them at the door laughing,
and invite them in.
Be grateful for whoever comes,
because each has been sent
as a guide from beyond.
by Rumi
This was our guest this week, Bear the dog. All of our habits and routines had to alter to accommodate
him.
He influenced how we used our space, how we saw our space I feel he taught us an appreciation for many things
that we had overlooked. The poem above seems to touch upon all of this.
Today we received the third in the series of books we have published of Floyd's work.
This book is his paintings. All Three books will be available at the reception either to look at or to purchase. This prices for the books are just our cost with no mark up. In fact our cost is less than if you buy a single copy on blurb because we get a discount when we order more than twenty. The books are a good way to remember and continue to enjoy Floyd's work.
Click on the link below to see in full.
https://www.blurb.ca/books/11158938-carved-with-a-brush
A few of our blog viewers were confused by the last entry which was the invitation for Floyd Kuptana who passed away on May 27 last year. We are hosting a reception on the anniversary of his passing, in honour of him and his work. We will also be showing many sculptures brought to the gallery by his long time friend JP Albert. They are packed in the boxes show in these photos. Today we began unpacking and finding places for them, mostly in what is usually the collage gallery and also the library but they will be found through out. The title of the exhibition 'Still With Us' refers to the way that Floyd's presence
stays with us in his work.
'There is no There' was the title of this work and exhibition by Jeremy Gordaneer, that was held at Gallery Arcturus in 2011.
It was an extraordinary mural that he painted in his studio in Montreal and finished in the gallery just before the opening.
Yesterday would have been his fiftieth birthday. On that day we received the news that he had passed away in August of last year 2021. It is a terrible shock to learn of someone that you have spent time with and have a strong sense of, to imagine them not being here...Life is so fragile. We are remembering him and his family now.
This collage, by Sara MacHin, was done as part of the 14th online collage workshop using a photocopied image of Picasso's 'Circus', a cutout from our latest invitation and the postage stamp from the mail out.
All have been placed in a room painted for their occupancy.
It seems to best represent our title for the day.
I remembered the other day that the best thing about creating art is the process of creating art. The space that one creates in must be conducive to that process. Materials need to be visible and accessible otherwise you forget that you have them.The problem is that the more one creates the more the space becomes a storage space, crowded with unknowable and therefore unusable materials. The space
and the materials need to be seen as resources in order to support a creative process. For this reason we have weeded out the space, looked at everything in it and attempted to organize it so it can be a resource to all who enter. A very daunting but satisfying challenge.
Today one of our visitors was from Japan. Sae was able to introduce her to our gallery and she told us that her father has a gallery in Japan which our space reminded her of. After she left we looked up the gallery, 'Joy of Wind'. It was like travelling in a time capsule to a far off, very beautiful place. You might enjoy to visit as well. http://rafu-urawa.com/
Sae and I came upon this painting today by Eduardo Ettore Forti done in the late 19th century. One hour later we were still engaged and in awe. What was the process of this
painting, how could one execute this kind of detail from ones imagination? The characters
are so complex in their expressions and postures, the quality of their attention, speaking and
listening. The fabrics and the drapery on the bodies. The floor tiles, the metal brazier and the bronze sculptures all created from many many colours together.
We do not paint like this now, maybe because we have photography and film. It is
amazing to consider how this was possible and the motivation and commitment of the artist
to do such work.
collages by Eron Boyd
One of our team is at home with a cold
and the other one is doing her best
to be brave, proud,
unyeilding,
without retreating from hardship or adversity
confident in one's ability to meet
whatever may occur